Mike Post Productions delivers broadcast-grade audio and music solutions for demanding visual media. The company specializes in sound design, scoring, and final mix for advertising, film, and streaming content.
Across campaigns and longform projects, teams rely on clear workflows, reliable delivery, and technical expertise to align audio with creative intent.
| Service | Typical Timeline | Team Size | Deliverables |
|---|---|---|---|
| Sound Design & Editing | 3–7 business days | 1–2 editors | WAV files, session backups, asset manifest |
| Original Score Composition | 1–3 weeks | Composer plus engineer | MIDI drafts, live recording sessions, mastered stems |
| Dialogue & Foley Restoration | 2–5 business days | 1 lead editor | Cleaned tracks, noise profiles, comparison notes |
| Final Mix & Mastering | 4–8 business days | Mix engineer, mastering engineer | Stereo and surround masters, compliance checks |
Sound Design and Editorial Workflow
Creative Sound Libraries
Mike Post Productions maintains curated sound libraries tailored to genre and brand language. Editors select, process, and layer source material to preserve originality while meeting broadcast loudness standards.
Versioning and Collaboration
Project folders, standardized naming, and annotated notes help stakeholders review options quickly. Clear milestones reduce iteration cycles and ensure feedback is focused and actionable.
Original Score and Music Production
Composer Selection
Brief alignment calls match musical profile to narrative arc. The team evaluates tone, rhythm, and instrumentation so the score supports pacing and emotional beats.
Recording and Integration
Live sessions with session musicians are scheduled alongside picture lock. Engineers coordinate click strategies, stage layouts, and editing passes to maintain tight sync with on-screen action.
Mix, Mastering, and Delivery
Technical Delivery Standards
Mixes are checked against platform specs for streaming, broadcast, and theatrical release. LUFS targets, spectral balance, and dynamic range are validated before handoff.
Localization Readiness
Stems are structured to simplify translation and dubbing. Silence buffers, consistent room tone, and labeled markers make multilingual versions efficient to assemble.
Process and Quality Assurance
- Initial brief and reference track review to define sound identity
- Checkpoint reviews at key stages: concept, temp mix, and final pass
- Compliance and platform testing for broadcast, web, and cinema
- Secure file transfer, version tagging, and detailed delivery notes
- Post-delivery support for minor adjustments and guidance
FAQ
Reader questions
What types of projects does Mike Post Productions handle?
They serve advertising agencies, documentary filmmakers, series producers, and digital creators who need consistent, high-quality audio and music production.
How do you manage revisions and tight deadlines?
They use stage-gated approvals, clear turn-around-time expectations, and prioritized editing queues to meet aggressive schedules without sacrificing quality.
Can you mix in Dolby Atmos or other immersive formats?
Yes, the team handles object-based mixing and format-specific delivery for Dolby Atmos and other immersive sound platforms to future-proof content.
Do you provide pre-production planning and technical rehearsals?
Early consultations help scope sessions, troubleshoot room acoustics, and align technical requirements so recording days stay efficient and focused.